When the mix is fucked up it is fucked up. Find a place to restart and build a new mix.
Luca, please, DO NOT OVERMIX! Stop before your ears get boiled or the phase gets double folded.
This is a great Yoga or Self Defense Lesson.
Illustration is courtesy of NAMA Milano. 🙂
https://anfiteatromartesana.org
I’m testing different signal chain on guitar. Reverbs and Delays pre vs post cab/mic.
When recorded through the cab FXs translate better in mono easing the mix stage and stereo positioning.
When applied in post they create larger and more realistic space in the stereo field.
05/12/20224 – Harmaline | Whirl of Change (Official Videoclip)
Song produced in Hell’s Kitchen Music Lab
Software Monitoring Matrix/Controller. No hardware monitor controller’s needed. Reaper is a fully customizable DAW with Custom action and fully integrated extensions.
I’m programming a set of button to switch between different speakers, and to activate some critical listening functions.
Make it Mono & Rusty Speaker
AES67 is an AoIP (AoE) interoperable standard. I recently upgraded the lab adopting this standard in audio connections between different rooms, devices, DAWs.
https://en.wikipedia.org/wiki/AES67
AES67 fills the gap betwen different propetary AoIP standards: RAVENNA, Livewire, Q-LAN and Dante.
A set of linux tools and modules helped me in the adoption.
Wall of Sound guitar is recorded through a plethora of amps. The cobination of clean, saturated and distorted tones creates distinct tymbrical textures and prevents any losses in definition.
A lack of care for the phase relationship between the signals may end up in comb filtering effects, destructive interferences or unpredictable inconsistencies in the stereo field.
Live recording of the entire band in the shoebox room. Hell’s Kitchen was fully loaded.
11/02/2022 – Harmaline | This Cage (Official Videoclip)
Song produced in Hell’s Kitchen Music Lab
